Sunday, 22 July 2007

Julián Gayarre

"A virile, vibrant tenor voice with the most beautiful timbre. When it comes from the chest, it exerts an irresistible power, penetrating the ear and the soul like the roar of the sea... When it comes from the head, it is radically transformed, and the voice that just a moment before had resonated with ardent and captivating intensity, is suddenly transformed into something very small and very gentle, a feminine voice, a kind of sigh that fills one with emotion, delight, ecstasy. Gayarre's voice is the most perfect that one could desire, and undoubtedly the most perfect that exists today."
Critic and musicologist, Antonio Peña y Goñi, in Arte y patriotísmo: Gayarre y Masini, 1882

“He had a voice of wonderful sweetness, full of a strange fascination that brought to mind the sound of angels and caused shivers of emotion. I never heard another voice its equal. It was the voice of paradise, an angelic voice”
Italian soprano, Gemma Bellincioni, in her memoirs - Roberto Stagno E Gemma Bellincioni Intimi, 1943

"The stage artist's glory is like one night's dream. A painter, a poet, a composer leaves behind his works. From us, what is left?... Nothing, absolutely nothing. One generation that says to another: "How Gayarre sang!"... When my throat says to me: "I can no longer sing", what will remain of Gayarre? A name that will last as long as the people who heard me, but after that no one. Believe me, Julio my friend, our glory does not last longer, nor is it worth more, than cigar smoke."
Julián Gayarre in a letter to Julio Enciso shortly before his death in 1890

Julián Gayarre began his career in 1869 in Varese, as Nemorino in L'elisir d'amore. His last performance was on December 8, 1889 in Madrid, as Nadir in Les pêcheurs de perles. He died 25 days later at the age of 45. There are no known recordings of his voice.